As a music sociologist, Dr. Meagan Sylvester delves into Calypso, Soca, and Kaiso Jazz music, genres deeply rooted in Trinidad and Tobago’s culture and Carnival. Her research examines how these genres reflect societal issues like race, class, and identity, as they emerge through lyrics, rhythms, and performance in festivals worldwide, from Notting Hill to Caribana.
In her doctoral research, Dr. Sylvester analyzed Ragga Soca as a continuation of Calypso’s tradition of social commentary. Calypso has historically voiced public concerns, challenging the status quo. From Singing Sandra’s “Voices from the Ghetto” to Bunji Garlin’s “In the Ghetto,” these songs echo similar themes across generations, highlighting societal struggles that remain relevant. Sylvester underscores that Ragga Soca maintains this tradition, mirroring Calypso’s earlier role as a voice of resistance against societal injustices.
In addition to her research, Dr. Sylvester is committed to educating youth on the cultural importance of these art forms. As a former education officer for the Trinbago Unified Calypsonians Organization (TUCO), she visited schools, collaborating with teachers to expose students to Calypso. However, she notes ongoing challenges, such as resistance from some school administrators who view Calypso negatively. Despite these barriers, she continues advocating for Calypso’s inclusion in school curricula, citing its potential as a literary device in subjects like history and social studies.
Dr. Sylvester emphasizes the power of music to reflect and influence society. By examining lyrics, she believes we can gain insights into pressing issues like violence and social inequality. Her hope is that these stories, embedded in Calypso and Soca, will inspire positive change and a deeper understanding of Caribbean identity.
Dennise Demming 